My Comics

6 Feet Apart – Short Comic

One of my goals this year is to draw 3 short comics. I plan to write a lot more short comic scripts this year, but I wanted to try out the entire process of comic creation.

We’ve spent most of the last year inside, but I live in an area where a lot of people think the pandemic is a hoax. I created this comic to speak to how isolating that feels.

Comics · Writing

Resources for Comic Creators – Scripts, Advice, and Classes

After writing for years, when I pivoted toward comics, it surprised me that there was no real “standard” way to write and create a comic. There are common practices and trends, but it’s an area that provides the writer/creator with a lot of freedom. I always want to share what I’ve learned because I firmly believe that rising tides lift all boats, so I thought I’d share some of the resources that have helped me over the last few years.

Scripts Archive – Comic Experience

This archive has a ton of different styles of scripts from a variety of authors. Ideally, if you want to study how comics work, I would download the script of your choice and read through it side by side with the comic that was created from it. One of the best ways to learn how to format a script is to look at these examples.

Ultimate Comic Writer’s Workshop – Kelly Sue DeConnick

I attended one of DeConnick’s workshops a few years ago and, I still refer back to my notes to this day. Someone on the internet was kind enough to compile her advice over on Tumblr in the link above. It has some great tips on improving your comic writing/comic observation skills and the nuts and bolts of creating comics.

Side note for writers: In the workshop I attended, DeConnick encouraged writers to submit shorts to anthologies. I followed her advice and got my first traditional publishing credit that way. If you’re looking to build your resume as a writer, it’s a great way to do just that.

Online Comic Classes Taught by Comic Creators

I’m not sure if it’s because I miss school or miss people, but I love taking short online classes right now. The shift to online learning has also made classes that might otherwise be taught at colleges or other exclusive places a lot more accessible. I’ve been able to take courses from writers, editors, and creators who have worked in the industry for decades.

Here are some of my favorite ( and often reasonably affordable) places I’ve taken classes:

  • TalentTalkLive – They offer various courses on comic creation and other subjects. Some are relatively cheap, considering you get to ask questions and learn from very talented professionals. I’ve gotten great value out of each class I’ve taken on their platform.
  • Skillshare – I’ve taken short classes on lettering, coloring, writing, and more at Skillshare! Not all of these classes center on comic creation, but most of them helped me improve my skills as a creator and learn new platforms.
  • The Hero Initiative – They sometimes offer live classes/experiences. They also support comic creators in need, so they’re a great platform to support.

Comics School

Gail Simone did a basic run-through of comics creation on Twitter during the start of lockdown in 2020. You can find PDFs of the daily lessons here. She walks you through how to create a springboard and then step-by-step create a short comic. You can also check out the #ComicsSchool hashtag on Twitter to find writers and artists who participated in Comics School. Many of them have gone on to create their own comics and sell their work.

Panels at Conventions

I miss going to in-person panels, but several conventions have moved their experiences online. I’ll be honest though, there’s nothing quite like watching a panel or taking a workshop face-to-face with a creator and then later being able to talk at their table (be mindful if people are trying to purchase items) or chatting at events surrounding the con. One of my favorite experiences was going to an after-party at a small con and just talking and having fun with many creators I admired. It made me feel like I had a place in the industry and that someday these folks could be my friends and colleagues.

I honestly can’t wait until we’re able to do it again, but for now, it’s a great idea to check out conventions that have moved their experiences online. It also gives you a chance to support conventions that support comics as an industry.

If there are other resources you think would help add to this list, please let me know and comment below!

Comic Spotlight

Comic Spotlight: What I’m Reading

Right now there are two titles that I’m currently picking up from Marvel,  Mockingbird and Black Widow.  Each book has very different female leads and are entertaining for different reasons, read more and find out why.  I’d also recommend Wayward by Jim Zub and Monstress by Marjorie Liu.  I picked up the trade of the first few issues of Wayward at FanX and I’ve been following Monstress since it came out, though I’m a few issues behind right now.


Writer: Chelsea Cain, Artist: Kate Niemczyk, Colorist: Rachelle Rosenberg

So, this book is awesome not only because it brings attention to one of Marvel’s less known leading ladies, but because a good portion of the creating team is female.  That probably doesn’t sound like a big deal, but you would be surprised how many female led books don’t have a single lady creator on them.

Mockingbird stays true to the Bobbi Morse as a character, while giving her a playful and sarcastic edge.  She’s been through a lot, she’s nearly died, but she is taking a lot of that in stride in this comic and continues to be committed to being the superhero-spy we know and love.  The stories so far are witty, entertaining and also fairly poignant.  Issue #3 has Bobbi addressing a hostage situation, where a teenage girl has her friends in a bubble.  It talks about issues like the fact that we can’t talk about tampons publicly, despite the fact that half of the human race has periods, but in a funny and topical way that I hardly communicate here.  Mockingbird reminds me a bit of Fraction/Aja’s run on Hawkeye, because it is a solo story about a C-list character, but it’s very human and clever.  If you are a fan of DeConnick’s Captain Marvel, I think Mockingbird will hit a sweet spot for you.

Black Widow

Writers: Chris Samnee and Mark Waid, Artist: Chris Samnee, Colorist: Mark Wilson

I loved Samnee’s art when he previously drew Bucky and Natasha together in Captain Americ and Bucky, so though I miss Noto’s art, Samnee brings a great style to Black Widow.  The first two issues set the scene and add a bit of mystery to Natasha’s storyline, but it is the third issue that the story starts to dig deeper.  Natasha returns to the Red Room and to Russian, which of course is full of memories for the former Soviet spy.  There are nods to Natasha’s past as a ballerina, specifically, as she fights and falls, which are always a nice touch.  Samnee also packs a lot of action into the panels of this story, showing Natasha’s familiar fighting style, where she often weaves her body around her opponents.  Capturing such things can be very tricky in comics, but it is done very well here.

Though the story takes a few issues to get going, once it does, it delves into Natasha’s past in a deep way, as the present has started to echo history.  If they make a Black Widow movie, this would be a great kind of narrative to have it follow.




Comic Writing Resources

Even though I had read comics for years and wanted to be a writer, it was not until I attended a comic writing workshop that I realized writing comics was an option.  Over the last few years I’ve collected a few resources that have helped me figure it out along the way.  I haven’t had a comic published traditionally yet, but I did get to participate in a really fun fancomic that centered around Wanda Maximoff.  I wrote the first two pages of the comic script and you can see the finished product here.

As for resources, when starting out in comics the hardest thing can be understanding not only how to write a script, but what makes a good script, how the industry works, how to find collaborators, etc.  Here are a few places to find help:

  • The Comic Book Script Archive – Here you can find PDF or word docs of many different comics from many different writers.  I’ve sat down a few times with the script from a comic and the comic itself, to see how the writing started and what became of it.  You can also see how the masters write their comics, who sticks to a certain script style and who deviates from it and why.  I would suggest both reading the scripts and the comics that came from them, to get an idea of how the pages and panels took shape.
  • Jim Zub’s  Website – Jim has a TON of tutorials about writing comics.  If you look on the right side of his website, you’ll see tutorials on writing comics, how to pitch comics, as well as many other things.  If you see him at a Con, he also has a great panel that covers the basics.  I attended his panel at Salt Lake Comic Con and he gave great advice during it about how looking for people to work within the industry is “fishing” not “hunting.”  This changed my approach completely about how I go about finding people I want to work with.
  • Making Comics – Making Comics did a great MOOC about writing a comic pitch, but they also have a lot of great resources on their website.  They have stuff about writing, drawing, coloring, lettering, and everything beyond it.  It’s a great website to check out when you’re not sure what to do next or if you want to learn a skill that you don’t have quite yet.
  • Kelly Sue DeConnick’s Tips for Writing – The workshop I mentioned at the beginning of the post was taught by Kelly Sue.  It opened my eyes and changed my path as a writer.  This is a great tumblr post with some of the wisdom she shared about writing and writing comics.
  • Words for Pictures by Brian Michael Bendis – This is the one resource on this list that is not free, but well worth it.  It has not only info from Mr. Bendis, but many other great writers, artists and creators within the comics industry.

Are there any other great resources you’ve found?  If so please share!  I’m always looking to learn more as a writer.

Comic Review

Weekly Comic Review: Avengers #0

Avengers Cover by Kenneth Rocafort and Richard Isanove
Avengers Cover by Kenneth Rocafort and Richard Isanove

After Secret Wars, Avengers #0 is an anthology book that ties together the stories of the Avengers, the New Avengers, A-Force, the Uncanny Avengers, the Ultimates and the Squadron Supreme.  Each team has a small vignette that ties their story into that of the Squadron Supreme.  Stories like this can be tricky, since the reader is maneuvered between stories, but I found that though the story with the Squadron Supreme was meant to act like a segway into the other stories, it felt more like a distraction.

It provided a lot of exposition, but I felt like it was at the cost of the story itself. Also, the information needed to jump into the comic, without prior knowledge of the characters and Secret Wars, was not provided.  I feel like the purpose of a zero issue, is to lay the foundation for someone who wants to check out new titles.  It does the job of introduction the Squadron Supreme, but beyond that it does not provide an easy entrance for the reader to the comic or to the subsequent tie-ins that come after it.

I did enjoy the stand alone stories and each one felt like it could stand on its own.  The first was between Scarlet Witch and Vision.  Vision is being haunted by images of the past, what most of us would think of as ghosts.  He has come to Wanda to tell her that he has made a decision of how to deal with the ghosts.  I liked the story telling here, I’m a fan of both Wanda and Vision, and though the story was sad, it was also compelling.  The art style was very pleasing for me, but there were some panels where memories could easily be confused with what was the present.

Next up was A-Force, and G. Willow Wilson continues to show her strengths as a writer.  Her themes are clear, but well

Captain Marvel sans Helmet by Victor Ibanez and Laura Martin
Captain Marvel sans Helmet by Victor Ibanez and Laura Martin

woven into the story.  I knew it was the A-Force story from the moment I turned the page, because almost all the people in the panels were women.  That may sound strange, but when most media has more men than women in any given scene, it was sort of nice to see a captain of a starship and a scientist who were both female.  Carol Danvers is leading the Alpha Flight station, and we see her sans her Kree helmet.  I know we found out this week that she will no longer be donning the helmet, but it was still sad to see it go.

My other favorite story from this comic was about Ms. America Chavez.  The art is open and stunning, and it makes it easy to follow the story, even if the text boxes were a little confusing on the page.  America is fighting monsters between worlds and closing tears in the universe.  To close the holes, she must focus on a happy thought, and basically we see the softer side of America, as she uses her dancing skills rather than her punching skills to problem solve.

There are also stories about Deadpool and the New Avengers in this comic, both of which set the stage well for the coming stories.

All in all, if you are an Avengers fan like me, this is a great comic to pick up so you know where things are starting out after Secret War.

Comic Review

Weekly Comic Review: Black Canary Issue 2

bcbI may also try to review “Captain Marvel and the Carol Corps Issue 2” tomorrow, if I have the time.  I picked up both titles along with Harley Quinn and some Catwoman this week.  DC is slowly winning me back as a reader, I think.

Black Canary Issue 2 was written by Brenden Fletcher, Annie Wu is the artist and Lee Loughridge is on colors for this issue.  That’s one thing I really love about this comic so far, is that you can clearly see each person’s contribution to the comic, if you are paying attention to it.

At first glance, one of my favorite thing about this issue was some of the more unique ways they told the story.  There were full page spreads of information and graphics, that reminded me of magazine cutouts, tour posters and snap shots.  It’s an interesting choice story wise, because those pages are used to tell the story in a very different way than the pages that have the traditional panel/dialogue layout.  It also had a diagram at one point that showed Dinah training her manager in hand to hand.

I personally love stuff like that. Deviating from the “traditional” comic layout is something I see more and more in stories like Hawkeye, Young Avengers, The Wicked and the Divine.  I like that these storytellers (the artists, the writers and the colorists) are playing with form, and finding new and interesting ways to tell their tales.

Loughridge continues to shine in this issue with the approach to color that is used. The color palettes used in this issue definitely help to dictate to the tone of the story and they compliment Wu’s art style so well.  The whole complimentary vibe between the art and the colors gives me a very punk rock feeling, which well matches the story that Fletcher is telling.

In this issue, we continue to learn more about Dinah’s past and the past of the band.  I liked the story telling and that there was still the rocker vibe, even though they weren’t performing in this issue.  I’m interested to see how this Dinah is different from the Black Canary that I know and love, and I plan to continue to pick up future issues of the series.  It’s got a good story and great art, what more do you need?

At one point in the comic, Dinah uses a pair of what looks like clarinets or flutes to fight off a bad guy.  It was just a very cool moment for me, since I’m a fan of characters that use staves as their weapon.

Comic Review

Weekly Comic Review: Spider Island

1Spider Island is the third Secret Wars title that I’ve picked up to read.  I’ve also followed A-Force and Captain Marvel and the Carol Corps and I’m enjoying all of them.  Spider-Man is one of the titles that initially got me into reading comics, so it is  interesting to see Marvel’s main universes collide and to see what has happened in Spidey’s corner of the universe.

Spider Island is written by Christos Gage, drawn by Paco Diaz, and colored by Frank D’Armata.  I got the Hastings Variant (pictured to the left), since that is the closest thing I have to a LCS.

Agent Venom is the narrator for the comic and a good portion of the story is set up through his monologue.  I’ll be honest, this isn’t my favorite way of establishing setting and backstory, but I think that Gage really nails Flash Thompson’s character and his voice, so I was a bit forgiving.  I still wonder if there could have been more showing and a bit less telling in this comic.  Diaz is a strong artist and I think his art could have been relied on to “show” us a little bit more.

That being said, Gage absolutely nails Flash Thompson as a character.  Flash is a personal favorite of mine and I’ve read a lot of his recent story lines.  Flash always has an underlying lack of confidence that I think makes him very human and very relatable.  Gage also mentions Flash’s past with Peter Parker/Spider-Man and how Flash looks up to Peter.  I liked seeing this, since really, Spider-Man is a big part of why Flash has become a hero and now he is a big part of why Flash continues to be a hero.  If you’re a fan of Agent Venom, I think this is a comic you will really enjoy.

Diaz does a great job with shots with a lot of characters in them.  Each character still looks distinct even if they are in the background of the panel, there is an attention to detail in each panel and each character, which I really liked.  He also has a good talent for showing motion in this comic, and there is a lot of action, so that is important.

I plan to pick up the next few issues that come out and I’m excited to see where this story goes.  Also they turned another one of my favorite characters into a vampire, so I’m straight up tickled to see where that ends up.  If you’re thinking about picking up some of the Secret Wars titles, I’d say A-Force, Captain Marvel and the Carol Corps and Spider Island are all good stories to add to your list.

Comic Review

Weekly Comic Review: Black Canary #1

I’ll be honest, it’s been awhile since I’ve picked up a DC title.  I followed Wonder Woman after the New 52 reboot, and a few issues that Catwoman was in, but other than that, my DC reading has sadly lacked.  I’m trying to change that, especially with all the awesome things I’ve heard about some of the new DC titles like Gotham Academy, Bombshells and Convergence.  I got to listen to Marguerite Bennett talk a little about Bombshells on the Arc Reaction Podcast (I believe the interview with Marguerite is in the Denver Con 1 episode), and it made me giddy to see it when it comes out.

Black Canary 1 was written by Brenden Fletcher, Annie Wu did the art, and Lee Loughridge was the colorist.

First of all, can I just say I LOVE the art in this issue?  I really enjoyed Annie Wu’s art on Hawkeye, and here it fits perfectly with the tone of the comic.  It’s slightly gritty, but still very sleek.  I like that, because you get the hard edged representation of the Black Canary band, but it still feels very feminine to me at the same time.  Also, the colors in this issue really accented the art.  There are bright pinks, dark purples, and the colors change as the tone of the story changes.  It really helps guide the reader tonally, because the can just look at the page and get a vibe for what is about to happen.

Similar to The Carol Corps, which I reviewed last week, Black Canary is taking a character that we’re familiar with, but she’s in a very different setting.  She does by “D.D.” and the name of the bad is actually Black Canary.  She’s wearing her classic leather jacket and fishnets, but now there’s more of a punk rock vibe to her.

This issue does a great job setting up the story and leaving breadcrumbs for reveals that will most likely happen in the future.  There are mysteries about D.D.’s past and the past of one of her bandmates, Ditto.  There are people coming for Ditto, and over the course of the comic, D.D and her bandmates make a pledge to protect her.

I really enjoyed seeing a character I’m fairly familiar with, in a different space entirely.  I also liked that it’s a band full of women.  It’s a very different sort of team than we’re used to seeing in superhero comics, but it’s a team all the same, and that’s clear by the end of the comic.

D.D. also defends a group of 3 women from danger at one point in the comic, and though we don’t explicitly know what the danger was beyond a group of scary looking guys, it’s a good moment.  We see D.D. jump from the stage, and put herself directly between these women and the danger.  After things settle, they thank her and ask about where she got her boots.  That moment probably stuck out the most to me in the comic, since often when we see people thanking a hero, they are gushing with hero worship.  This felt more like appreciation and connection.

I’ll definitely be picking up future issues of this comic.  I want to know more about D.D.’s past and the past of her bandmates.  All in all, it was a very intriguing read, and the art complimented the story perfectly.

Comic Review

Weekly Comic Review: Captain Marvel and the Carol Corps 01

Normally I’d like to do this review on Thursdays, so it gives readers a chance to pick up the comic, but it’s been a bit of a crazy week for me, so here it is a day late.

This week the spotlight is on: Captain Marvel and the Carol Corps issue 1 by Kelly Sue DeConnick and Kelly Thompson, with David Lopez on art.

Be ye aware, SPOILERS AHOY!  If you haven’t read the comic yet, wait until after you have to read this review.

Captain Marvel and the Carol Corps is part of the Secret Wars event that Marvel is currently doing, so it’s a departure from the storylines we’ve previously been following with Carol Danvers/Captain Marvel.  That’s not to say there aren’t a few familiar faces.  Helen Cobb is a member of the Banshee Squadron and we also see Carol’s tenacious and adorable side-kick Kit, all grown up as the Thor of Hala Field.

With the multiverse destroyed, all that was left was Battleworld, which is ruled by Victor Von Doom.  Doom is more or less seen as the god of their world and in typical Doom fashion, he’s taking credit for everything.  The sky, the sun, the moon, even Captain Marvel herself is a “Gift from Doom.” From what we see in this issue, both the Thor Corps and the Carol Corps are directed by Doom and his minions.  They are expected to carry out his will unquestioningly.

Also, science is blasphemy.

Which I kind of loved, since we even have people in the real world that believe that sort of thing.

But of course, one of Carol’s companions, Bee, gets her research on anyway.  She questions Doom’s teachings and though all her other squadron mates know about it, Carol only discovers it in this issue.  Carol sees the logic in Bee’s argument that something is amiss, and when they are sent out on their next mission by Baroness Cochran, she decides to investigate further.

Investigating further happens to mean that she ends up diving for a ship as it’s blowing up, as we may have come to expect from Captain Marvel.  That is something I really liked about this issue, that even in this world, it’s very clear that Carol is still Carol.  She’s still going to follow her moral compass, even if it puts her at great risk. She’s always been the self sacrificing sort and that’s no different in this new series.

For a moment, we’re left to question whether or not Carol made it out, but of course she did.  She’s also saved the life of one of the men on the ship her squadron blew up, and based on his look, I’m sort of hoping it’s James “Rhodey” Rhodes.

There were a lot of military tones to this, which is something we know Carol has a background in because of her Air Force days and have seen hints at it before, but here, we see Carol totally in that element.  I thought that was very cool, and you can tell that the authors have a familiarity with the subject matter and how things run for a group like Banshee Squadron aka “The Carol Corps”. DeConnick has done something similar in past issues of Captain Marvel, when Carol time traveled and met the original Banshee Squadron in World War II.  It was awesome to see the past team, but it’s even more awesome to see Carol leading her own team.  I also liked that each Carol Corps member is distinct and has her own sense of style.

I love the art style that Lopez has for this band of ladies.  Sometimes in comics women can look a lot alike, and therefore can be hard to distinguish.  In this comic, each of the characters has a very different look to them, so it’s easy to tell which character is which.

The panels with targeting systems were also very cool, since it gives us a really good indication where Carol as she is flying with her Squadron.  Something I haven’t really seen elsewhere in a comic, recently.  It was a very nice touch.

I also like this because there’s diversity on Carol’s team, just like there are in the real world Carol Corps (Meaning the fans).  My personal favorite from the Corps was “Maggie ‘Mackie’ McMorrow, Call Sign: Big Mack” because I see a bit of myself in her, at least in appearance.  But the fact of the matter is, having several ladies, all who look different and possess different personalities, leaves a lot of room for representation and characters for female readers to identify with.  Not saying dudes can’t identify with ladies, they totally can, but it tends to be lady representation that lacks when it comes to gender.

Over all, I really liked this comic and I’m excited to see where things lead from here.  It’s the first title I’ve read that falls under the Secret Wars hub, and that actually makes me excited to see what other people are doing on other Secret Wars titles.